In a final bid to regain control of the TARDIS's faulty control system the Doctor is driven to experiment with a dangerous untried combination. A simple technical fault? Or something even more sinister? Tension mounts as the Doctor and his companions begin to suspect one another. Slowly a terrifying suspicion dawns. Has the TARDIS become the prisoner of some powerful fifth intelligence which is even now haunting the time-machine's dark and gloomy corridors? William Russell, who played the Doctor's companion Ian in the original TV serial, reads Nigel Robinson's complete and unabridged novelisation, first published by Target Books in The Second Alien Worlds Collection.
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The Stealers from Saiph. Doctor Who: The Sensorites. Doctor Who: The Time Meddler. How to write a great review. The review must be at least 50 characters long. The title should be at least 4 characters long. Your display name should be at least 2 characters long. At Kobo, we try to ensure that published reviews do not contain rude or profane language, spoilers, or any of our reviewer's personal information. You submitted the following rating and review.
We'll publish them on our site once we've reviewed them. Continue shopping. Item s unavailable for purchase. A number of unexplained events occur and suspicions are raised that some alien force may have entered the ship. The Doctor at one point even accuses Ian and Barbara of sabotage.
It gradually dawns on the travellers that what they have been experiencing is an attempt by the TARDIS itself to warn them of something.
The Doctor ultimately realises that the 'fast return' switch he used when leaving Skaro has stuck, and the ship has been plunging back to the beginning of time and its own destruction. There he inspects the controls and is about to try operating them when he is interrupted by someone apparently intent on strangling him.
Leaving the ship to explore, Susan and Barbara find what appears to be a giant's footprint in the snow. Barbara Wright : [To the Doctor] "Accuse us! You ought to go down on your knees and thank us!
Gratitude's the last thing you'll ever have Barbara Wright : "We had time taken away from us and now it's being given back to us The Doctor : "As we learn about each other so we learn about ourselves. The TARDIS has an inbuilt memory of previous locations, and the console features a fast return switch the malfunctioning of which causes the crisis.
Susan and the Doctor have a telepathic link, both to each other, and to the TARDIS: its stranger attempts to warn them seem to be visionary in nature.
Doctor Who (Classic): “The Edge Of Destruction”
It takes the Doctor a long time to work out what's going on, and he seems very afraid, suggesting some degree of unfamiliarity with the TARDIS. Ian would surely have mentioned had he heard more than one heartbeat from the Doctor cf The Sensorites. This story had the working title Beyond the Sun.
This was a working title for the previous story, The Mutants. The story was written as a late addition to the schedule because the sets for Marco Polo were not ready in time.
Doctor Who: The Edge of Destruction
It was a late addition, but the real reason was that Donald Baverstock, the Chief of Programmes for BBC1, had yet to give his approval for any more than thirteen episodes to be made. Thus, with , BC at four episodes and The Mutants at seven, an additional two part story was required in case the series should then be cancelled.
William has a bit of a nightmare, completely throwing the others during one scene by saying the same line "It's not very likely" twice, and fumbling "You knocked both Susan and I unconscious". He also omits the scripted explanation for the melted clocks. Considering its origins as a hasty 'filler' written to bring the initial episode count up to thirteen, Inside the Spaceship works remarkably well. It is a suspense story, in the Hitchcock tradition, and, as such, it is quite stunning.
Even at this early stage, though, the impact of the Daleks was being felt. They have been the hit of the winter on all channels, though I doubt whether the BBC's plans to market them in do-it-yourself form will be all that successful. The craze will have died away by the time the Daleks reach the shops - unless of course the designer can include a real live death-ray in each packet - but I doubt whether the post-master general would like that.
The restriction imposed on the production of having to take place largely within stock sets resulted in two episodes set entirely within the confines of the TARDIS.
This allowed David Whitaker to devise a story in which the still fragile relationships between the leading characters initially fall apart, and then crystallise into far stronger friendships than existed before. The first episode is full of misdirection as the characters try to come to terms with what might have happened to them. This involves some strangely stilted acting from Carole Ann Ford and William Russell, who speak their lines as though they are simply reciting them from a page, and one really starts to get the feeling that - as the Doctor suspects - the ship may have been invaded by some outside force that is now masquerading as one of the travellers.
The analogy with a theatrical play is not too off beam, as the limited number of sets and the relatively static camera angles give the viewer the impression of watching as the action unfolds, act by act, on a stage.